Rekommendationer och recensioner
I recommend him without reservation as an artist, a person and a worker.
– dedicated, intelligent, creative, sensitive and always a PERFORMER.
Arin är ensam på scenen och behärskar det lilla utrymmet väl när han skickligt navigerar mellan silhuetteformade pappdockor och små miniatyrtroll
Jönköpings Posten om I Bauerskogen (2018)
the performance is carried along by the sheer talent of the solo performer, who completely owns the stage and every single mind in the audience…
FringeGuru om Evil (2016)
Arin is utterly superb in a conversational and naturalistic performance that beautifully realises Erik’s complex character.
Broadway Baby om Evil (2016)
it’s brilliantly performed by Jesper Arin […] he lays out the story in a cool, matter-of-fact tone, never flinching from detail, drawing us completely into the narrative.
Bouquets & Brickbats om Evil (2016)
Arin transforms himself from one man to the next, bringing to life fathers, sons, husbands and lovers through distinct gestures and expressions. The performance is mesmerising
Midlands What’s On om Beethoven in Stalingrad (2016)
The emotive and powerful performance of Jesper Arin provides the focus of the play […] proving intensely brutal in its emotional honesty.
Broadway Baby om Beethoven in Stalingrad (2015)
Arin gestaltar den bågstyrige, men smarte, hunden med dansande tasskraft.
Dagens Nyheter om Fair Play (2015)
Jesper’s tale tells is gripping and distressing […] there is no self-indulgence here, just honesty […] This is a masterclass in art of storytelling.
Broadway Baby om Evil (2014)